An Analysis of the Differences between Western Feminist Art and Modern Chinese Women’s Art in Biological Art Forms

Abstract

This paper analyzes the possibility of the integration of Chinese and Western feminisms through the study of the development of Chinese and Western feminisms, comparing the differences between Chinese and Western feminisms in terms of cultural traditions, philosophical traditions, origins, and advocates, and analyzing the possibility of the integration of Chinese and Western feminisms. Secondly, 24 female college students from China and the West majoring in art at F University of Performing Arts are taken as the experimental subjects to explore the differences in the aesthetic orientation of women from the East and the West towards reproduction art and expression art, and to analyze the feasibility of conducting the experiment. Finally, we explored the differences between Chinese and Western feminist art from the perspective of bio-art form aesthetics, and analyzed the differences in terms of spiritual structure, aesthetic experience, and artistic techniques. The results show that Chinese feminist art produces less content words and empathy than Western feminist art, F (15,378) = 5.183, , Partial . It indicates that feminist art West is more radical compared with China, and has a wider dissemination effect, the more rapidly it develops. This paper provides a path basis for the localization of feminist art.